A signature Westwood style and a favourite of Vivienne’s, the Princess Coat returns this season, handwoven in Harris tweed fabric, which has a low environmental impact method of production. Presented in a red tartan pattern, this structured coat features a full skirt for an oversized feel that gives this statement piece its unique voluminous look.
Shown here with: Pinch Top Ecru,5 Pocket Shorts Ecru and Long Rocking Horse Sport Boots Silver
Material 100% Virgin Wool
Details & Features
Two front flap pockets
Model is 5’9.5/177 cm and is wearing a size 40
Delivery & Status
Standard and express shipping
You can find shipping and return information here
Vans has found a new design partner — edgy Brit designer Vivienne Westwood.
Westwood is putting her unique spin on a series of classic Vans’ styles using her archive prints and graphics under the Vans x Vivienne Westwood Anglomania collection. Included in the offering is the Sk8-Hi, Sk8-Hi Platform, Checkerboard Slip-on, Style #53, Old Skool and Authentic.
The Sk8-Hi uses embossed markings of a handwritten letter set from Southern California to Westwood’s flagship boutique in London. It features a a leather-bound outsole and a natural vegetable-dyed tan leather, printed postage stamp that records the collaboration’s launch date.
The “Authentic” style showcases the Vivienne Westwood Outlet UK orb and lightning bolt print from the designer’s collection of house prints.
The Sk8-Hi Platform takes inspiration from Westwood’s Pirate boot, first presented in 1981 as part of her legendary Pirate collection, using a tan buckled strap.
The Checkerboard pattern is layered with Westwood’s Destroy graphic, brand signatures that both debuted in 1977.
The line is set to debut on Sept. 20 in select Vans stores and cheap Vivienne Westwood locations around the world and online at Vans and Vivenne Westwood.
The collaboration is not the first time the designer has stepped into the world of sneakers. In April, she collaborated with Asics, reworking styles from both Asics and Asics Tiger, with new releases set to drop through the year.
Westwood began designing in 1971. By the end of the decade, she was a symbol of avant-garde British design. She presented her first runway show in London in 1981, then turned her attention to traditional Savile Row tailoring techniques.
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Following the beauty brand Lush, British designer Vivienne Westwood also decided to close its business on September 20th to support employees in the global climate strikes, including the brand’s headquarters in London and flagship stores in Italy, France and the United States. The stores in China and Japan will open as usual.
The global climate strike will take place from September 20th to September 27th with the aim of requiring the United Nations Emergency Climate Summit in New York to adopt an initiative to ban the use of fossil fuels.
In addition to Vivienne Westwood Outlet, many fashion brands and retailers have pledged to support the climate movement “Global Climate Strike”.
This is the first activity of the sport, led by the 16-year-old Swedish student Greta Thunberg. In August last year, she began protesting climate change outside the Swedish parliament. Since then, the organization has expanded globally and invited adults for the first time this week.
The global climate strike will be held around the world from September 20th to 27th, and it calls for “ending the era of fossil fuels and fighting for climate justice for everyone”.
As part of the event, British designer Vivienne Westwood, American outdoor clothing retailer Patagonia and footwear brand Allbirds will all close, allowing employees to take action and Participate in local demonstrations.
According to the report, more than 1,000 Amazon employees are expected to participate, hoping that the company promises to achieve zero emissions by 2030, sign a zero-custom cloud computing contract with fossil fuel companies, and provide zero funding for lobbyists and politicians who deny climate change.
Behind the stage pre-appear, the model wearing Look 24’s whopper of a fish cap (which Andreas Kronthaler had stuffed before sewing on a layered skin of since quite a while ago spared vintage paillettes) was feeling crude like sushi. It wasn’t the cap, which she detailed agreeable, however the group around us: “The issue is society: There’s no regard for individual space. Individuals are continually pushing in from side to side as they pass.”
Once discharged into the unmistakable waters of the runway, she continued upstream to the pits left alone, some portion of a diverse gathering wherein Kronthaler’s motivations went from a photograph of an Albanian political dissident (the shirt tracksuit in Look 18) to a vessel head seen being hauled in the Thames in Henley (38’s reversed dinghy cap).
He played with volumes that looked dubiously medieval (12) or uncontrollably sentimental (Bella Hadid, covered up in 60). There were corseted chest pushing neck areas in coral tones enlivened by Botticelli’s Venus (13). From the chaps for chaps with protruding bottoms to the manufacturers’ gloves and the vinyl coverall beat in the state of human chalked murder scene diagrams, also the pieces of jewelry made of crab hooks taken from a fish café in Thailand, this was a wide-extending frolic through Kronthaler’s occupied mindscape. Under the foam and commotion of detail were shrouded pools of quiet in which snuck appealingly woozy womenswear.
Purchase less, pick well and make it last are 3 manners by which to abridge the notorious and immortal Vivienne Westwood Autumn Winter 2019/20 show.
Arranged at St John Smith Square in Westminster, a fitting setting so near the focal point of the UK government. This was the most sensational setting for the most recent accumulation turn declaration in which Westwood diverted her political perspectives to the crowd. From Brexit, tax collection, popular government and utilization, the points were extremely applicable to clients overall at this point.
Both strolling and talking the show, models swaggered down the catwalk in a political challenge to bring issues to light and stop environmental change. Westwood is prestigious for utilizing the catwalk and her garments to pass on political thoughts. The runway has turned into the phase for her to voice her political perspectives and the Autumn Winter show did precisely that! Styling the structures from the Vivienne Westwood establishment the show was moving, triumphant and consistent with Westwood.
Plans spread with trademarks and obscuring the lines between the people’s structures. The show was attractive, strong and really made you think. Mark styles of check and plaid resuscitated for the present day, alongside dissent shirts and knitwear overwhelmed the catwalk for the terrific finale. As the models, savvy people and activists the same adjusted together to incite the purpose of purchase less, pick well and make it last.